| George
Cup & Steve Elliott |
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The
George Cup Research Center
was founded in 2006 and is bringing back the
art of the artist duo to public notion. To illuminate the history of
George Cup & Steve Elliot through collecting, preserving, and making
available for study the documentation. To bring new aspects and
information about the life and work of this importend artist duo of the
american minimalist art that was long hidden in public notion.
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More
about GCRC
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| Collection
A-Z |
| Recorded
Interviews |
| Online
Collection |
| Special Focus
Guides |
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Recent Acquisitions |
| Exhibits |
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| George
Cup 1977
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| Steve Elliott
1977
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| Catalogue
"Die neue amerikanische Malerei" published by
Hochschule für Bildende Künste Berlin, 1958 |
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| Digitalized
Archive PDF |
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Museum
of Modern Art, New York - Die
neue amerikanische Malerei, 1958 in Berlin - with
William Baziotes, George Cup, Sam Francis, Arshile Gorky, Adolph
Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, willem de
Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock,
Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker
Tomlin, Jack Tworkov |
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Die
neue amerikanische |
| Malerei,
1958 is part of |
| the
Internet Archive |
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CURRENTLY
ON VIEW
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| A
rainy day with George Cup |
| in
Easthampton, 1978 |
| by
Michel Antoine Seurat |
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| In
1977 Seurat made a short film about George Cup in his
studio in Easthampton. In February 2011 he discovered
that the George Cup Research Center is bringing back the
life and work of George Cup & Steve Elliott to
public mind. The last existing copy of this film is now
in possession of the Research Center and displayed to
the public for the first time.
more
information / recorded
interview on WQXR
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UPCOMING
EVENT |
| Reconstructing |
| Square
Round # 15, 1975 /2012 |
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30
screen projection # 12, 1976
In
1976 George Cup & Steve Elliott presented the installation
"30 screen projection # 12" at the Sidney Janis
Gallery in New York for the first time. The installation
displays a chorographie of 30 DIA-projetcors screening light
without slides on a black wooden board. This installation can be
seen as the link between the static oil paintings of the late
1950´s and the animation films of the late 1970´s. To work
with light in motion was the base of many experiments of George
Cup & Steve Elliott.
more
information
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